Last week we visited the pretty London enclave of Primrose Hill, where jewellery designers Zoe & Morgan have created their new boutique space, showcasing a beautiful selection of handmade, delicate and style-focused jewellery and – most importantly for me – their new collection of engagement and wedding rings. With graphic prints on the walls, flowers and plants everywhere and beautiful vintage display cabinets and furniture, the store has clearly been as lovingly designed as the jewellery within it.
Zoe & Morgan was started by siblings Zoe, Morgan and Ruth in London in 2005. As children of a silversmith and an upbringing that took them all over the world, their influences range from talismanic, tribal and cosmic patterns and motifs, with a strong free-spirited feel underpinning all the collections, reflective of their bohemian childhood and love of the outdoors.
Recently diversifying into engagement rings and wedding bands, the bold yet minimal style and silhouette the brand is known for has been distilled into a collection of sharp-looking, sophisticated rings with an unusual geometric edge, with graphic lines and great use of negative space that give the pieces a contemporary and easy-to-wear feel.
The strong geometric designs which are the essence of the Zoe & Morgan brand have translated perfectly into this engagement ring collection, which holds true to their linear, graphic style, but in a more luxury, classic way. For a low-key, stylish engagement ring with a non-conventional edge, this London based boutique is well worth a visit. Find it at: 48 Chalcot Road,London NW1 8LS, or visit www.zoeandmorgan.com.
For more engagement ring inspiration have a look at our Gallery
I love looking at a person’s handwriting. The flourish, scale, weight and care that the individual gives each word says so much about them, that I find it intensely personal and revealing (non-descript, changeable scrawl or basic printing in capitals acts as a warning, and is hugely unattractive to me). It is also relatively easy to look at a body of work and identify a unique design ‘handwriting’ (see Fernando Jorge, Polly Wales and Hannah Martin), a cohesive tone that makes it instantly recognisable due to a familiarity of form, yet wholly original in style. New jewellery design duo Shimell & Madden have this quality – a small British jewellery brand that has been growing steadily over the past 5 years, their seemingly complex mini structures of layered linear pattern result in strong, bold, but delicate forms.
I met Emma Madden, fresh from a successful London Fashion Week (which resulted in prestigious concept store Dover Street Market declaring they would ‘take it all’) at their retailer The New Craftsmen to talk inspiration, building collections, and process.
Coming from a traditional jewellery background, Emma and her design partner Luke Shimell met whilst both working at a family-run jewellers in Devon, mainly undertaking general repair and soldering work for the shop. Sharing an interest in maths, pure geometric shapes and proportion, they launched their brand in 2010, which they now design and make by hand in their studio in East London.
Collections are started organically, without sketches, moodboards or tangible points of inspiration, and instead are borne from experimentation; playing with a simple concept of layering, initially with concentric circles – each circle painstakingly cut out by hand and raised above the previous one with tiny supporting joints, like miniature architectural models. This very visual way of working allows room for trial and error, and Emma tells me of the hoards of discarded brass models piling up at their studio.
They pair also spend time hunting down the perfect stone – design of a piece often follows the discovery of a one-off cut gemstone – with skinny, geometric cuts of tourmaline or lemon quartz taking centre stage in the middle of the maze-like structures.
The strong symbolic feel of Shimell & Madden’s collections also add to their appeal; although according to Emma people tend to add different meanings to each piece, depending on their perspective. The satisfying symmetry, clean lines and repeating pattern feel familiar yet modern; reminiscent all at once of ancient pagan symbolism, old english mazes and stellar constellations…yet the pieces manage to sit proud in contemporary spaces such as Dover Street Market, Ruberg in Islington, and The New Craftsmen.
To see more of Shimell & Madden’s work, visit the above retailers, or have a look at their website here.
With thanks to The New Craftsmen, 34 North Row, Mayfair, London, W1K 6DG. Photos and text by Kate Baxter, copyright 2015.
Making jewellery can be at once all-consuming, frantic, sweaty work, as well as a meditative, calming process. For jewellery designer Ruth Tomlinson, it seems to mainly be the latter. This beautiful film shows Ruth at work, revealing her creative processes and inspirations; from finding pieces of once molten metal in the sand on the beach, to sitting at the bench breathing life into her ideas. A sensitively made film allowing a behind-the-scenes glimpse into how a piece of jewellery comes to be…